(That's Why I Always) Dress In Black / Generic NYC Woman.
Produced by Johnny Angel.
The Blackjacks: Johnny Angel: vocals & guitars / Jeffrey Erna: drums / Whitey: bass & backing vocals / Rafael Mabry: guitar & backing vocals.
''By 1983, hard rock in Boston was a dead issue. The metal scene that began making waves in LA early in the decade hadn't really reached New England yet, the punk scene was dead, and the hardcore movement had begun to devolve into art-metal and noise. The notion of aggressive yet sexy music was deceased, and for all intents and purposes, there were three distinct camps in Boston: The would-be Angloid synth-pop, foo-foo haired sons and daughters of Boy George, the pseudo roots types who sucked Buds and wore flannel and claimed Hank Williams as god (but were really just collegiate simps trying to glom onto Americana and trailer-park culture, but as such were scruffier beatnik-y versions of their true role models, Britain's Teddy Boys), and dull bar bands. 'Til Tuesday were the big hype, as were the Del Fuegos, both fine groups, but hardly the spiritual heirs of Chuck Berry, the Stones and all the nitty-gritty societal bilge that tends to make the angriest and most heartfelt noise.
In June of 1983, Johnny Angel had returned to Boston a broken and beaten dude. His prior group, Thrills, had relocated to Manhattan with wide-eyed dreams of a new life in the Apple, only to find New York even less receptive to the straight-ahead charge than Boston. Besides, in B-Town, he could chill in a cushy job in the family business. His last bit of employ in New York was hauling boxes in a stinking Broadway warehouse, where he'd had a vision that the only time he'd ever ride down the magic boulevard in a limo would be in his own coffin, so it was NYC toodaloo!
Horrified at the total de-evolution of rock and roll at home, he hooked up with Whitey, ex-bassist with the Outlets, who was similarly bored and angered by Boston's local music scene. Whitey knew a former Outlets fan named Jeffrey Erna who was reputed to be a great drummer, and the three hooked up, bashing out Outlets songs at their first rehearsal, August, 1983.
Combining Angel's love of primal 60's psych and 70's punk with White's basic approach and Erna's speedy, rushed rhythms, the Blackjacks begun gigging a month later. Angel's year and change in exile in New York had provided wads of inspiration for new songs. "Generic New York City Woman" was a hate screed aimed at art-gallery inhabiting Manhattanite know-it-alls. "Junk Train" was a thinly veiled swipe at former Thrills singer Barb Kitson, who'd become seriously strung out on dope in New York. "Dreaming Of Saturday Again," was written about the horror of warehouse life. The latter song had been written with the intent of being a new Thrills single before that band broke up in 1983, and was to be produced by Tommy Erdelyi, but Thrills called it quits first! ..." Source
BUY IT HERE!