5/20/2013

THE BROKEN JUG - Promised Land


THE BROKEN JUG   Promised Land  7''  1986
Promised Land / Sally / City Slang (bonus)
The Broken Jug: Max: guitar / James: bass / Christine: organ / Harry: vocals / Blacky: drums.


"From one of the leaders of 80`s garage-psych revival in Germany. Among the first releases of Glitterhouse records. Fresh (old) sound and genuine (imitated) atmosphere. Had come for making just some primitive electric noise, but later they decided to burn down the whole neighborhood ."

To my knowledge The Broken Jug has recorded 3 lp's and four 7''. There is also an excellent fourth and unreleased album more oriented Detroit rock (HERE). You can buy the vinyls HERE but unfortunately nothing has been reissued on cd! It's a shame...
BUY IT HERE!

5/19/2013

PRIMA DONNA "She's So Untouchable" Valence (France)



Night after night, in front of one hundred people or one thousand, the great Prima Donna "save Rock'n'roll", the real rock'n'roll we like!
If you want to see more you can go HERE.


Support the band, BUY their records HERE or HERE !

5/16/2013

LISA LOMBARDO - Lisa And Her Slaves


LISA LOMBARDO   Lisa And Her Slaves  CD  1992
Shut Off / Let It Out / A Little Further Away / There Is A Time / Devil Charge / Cold Night For Alligators / Oh My Baby / Bridgette / I'm A Lot Like You / It's Been A Long Long  Time / We All Live On.
Produced By Jeff Dahl.
Lisa Lombardo: rythm guitar, vocals / Julia Altstatt: bass / Rich Coffee: lead guitar / Dan Limerick: drums.

Lisa Lombardo made a brieve carreer in garage Punk in the late 80s/early 90s. She was in the San Francisco 60'"s inspired band Koel Family wich became The Gargoyles who released several records for Sympathy for The record Industry in a more punk-high energy style, remembrer their song "Michigan" in homage of the Detroit sound. At this time, Lisa's specialty was playing a pink stratocaster in bikini!!! Lisa also played in several Angy Samoans'Meta Mike solos album in early eighties. When Lisa spit from the Gargoyles, Jeff Dahl decided to put her out on his Ultra Under Label.  Lisa recruited Rich Coffee of Tommyknockers fame on lead guitar, Gargoyles bassist Julia Alstatt and her boyfriend at the time, Stevie Stiletto's drummer Dan Limerick. They recorded this single and one C , but never did any shows.... "Cold Night For Alligators" is a Rocky Erickson cover where Rich Cofee is at his best! In the late 90's Lisa went in more heavy-gothic style, playing as Lisa The Wolf ! My Old Kind Of KicK
A  few month ago, our friend Rémi T. has posted on his good blog "My Old Kind Of Kick",  a Lisa Lombardo single. This post gave me the idea  to post the album...so thank you Rémi!
BUY IT HERE!

5/13/2013

FLAMIN' GROOVIES - Rock Juice


FLAMIN' GROOVIES  Rock Juice  CD  1992
Way over my head / Sealed with a kiss / Hold on me / Somebody's fool / Stay away / I'm only what you want me to be / Shakin' / Give it away / Thanks John / This could be the night / Ainsley's song / Little girl / When she's in town / Flyin' saucers rock 'n' roll .
Produced by Cyril Jordan & Karl Defler.
Flamin' Groovies: Cyril Jordan: vocals, guitar / George Alexander: bass, vocals / Kenny Dale Johnson & Paul Zahl: drums / Jack Johnson: guitar, vocals + ?
Although many assumed the Flamin' Groovies broke up in 1979 after their last Sire album, they merely went into a prolonged hibernation, followed by an on-again, off-again career at a much more underground level. Their releases during the '80s were all repackages and live albums, making 1992's "Rock Juice" the group's first studio album of new material in 13 years. (Honestly, it's more of a duo album than a full band effort; Cyril Jordan and George Alexander are the only credited musicians.) The production is terrific; unlike the often too-slick Sire albums, singer/songwriter Jordan's self-production wisely avoids trying to gloss up his unashamedly retro tunes. However, as always with a Groovies album, the tunes are a pretty mixed bag. Jordan has always had a way with the tropes of the British Invasion, and he's got a knack for power poppy guitar hooks, but he's a very hit-or-miss songwriter, and only about half of these 11 original songs feature a particularly memorable melody or catchy chorus. The opening, "Way Over My Head," is definitely the highlight, with the jangly "Little Girl" close behind. The covers this time out include just-okay versions of "Sealed With a Kiss," "Flying Saucers Rock and Roll," and an excellent version of the classic "This Could Be the Night," the Phil Spector/Harry Nilsson collaboration that the Modern Folk Quartet sang in the opening montage of The Big TNT Show. Rock Juice is strictly for fans, but fans will appreciate it. Allmusic


The Flamin' Groovies' first true studio album since 1979's 'Jumpin' In The Night', 1992's 'Rock Juice' is an inconsistent but mostly satisfying collection.inconsistent but mostly satisfying collection. If you've heard any Flamin' Groovies record, you have an idea of what's in store here: a number of Cyril Jordan originals which sound like they were composed in Liverpool in 1965 alongside covers of some of those songs which inspired the group. Foremost among those covers this time is Harry Nilsson's "This Could Be the Night," which Phil Spector turned into one of his most whacked-out Wall Of Sound masterpieces for the Modern Folk Quartet. Versions of "Sealed With a Kiss" and "Flying Saucers Rock and Roll" are less relevatory, but no less fun. Jordan's originals, most of which feature his distinctive 12-string Rickenbacker jingle-jangling away, sound like the sort of songs you hear on oldies radio but can't quite place. Their occasional lack of substance is part of their charm. 1st new music in a decade by S.F. cult rock band The Flamin' Groovies include: Cyril Jordan, George Alexander (vocals). Alternative Press


"...The Groovies were always ahead of their time, or harking back to another time, but never, seemingly, in the same time as the rest of the world. With "Rock Juice"  the two have finally caught up with each other...."Rock Juice", like every Groovy album before it, is perfect..." CD Universe


 "Rock Juice" is the band's first real studio album in thirteen years. Crediting only Jordan and charter bassist George Alexander (while thanking the guitarist and drummer who played with them on One Night Stand), Rock Juice is perfectly pleasant Byrds-Beatles power pop. The bulk of the songs are new Jordan lost-love originals. "Hold on Me" is a sparkling keeper; "I'm Only What You Want Me to Be" layers on the stylistic dust for a convincing time-warp to early-'60s sap balladry; the Lennon tribute, "Thanks John," is sweet in spite of its obviousness. To round things off and provide some vintage variety, the Groovies dig through the record collection to cover Bryan Hyland's "Sealed With a Kiss," the Modern Folk Quartet's Phil Spector-penned "This Could Be the Night" and Billy Riley's "Flyin' Saucers Rock'n'Roll." Trouser Press
BUY IT HERE!

5/09/2013

WHITE DEMONS - Say Go


WHITE DEMONS  Say Go  CD  2006
Spit On My Liver / Cancelled Show / Drop Down / Say Go  / 3 Times / In The Flesh / Tear It Up / Pill / Give It To Yourself / It's All About The Rock.
Recorded by Larry Elyea.
White Demons: Nick K.: guitar & lead vocals / Art Banko: bass & vocals  / Tony Krank: guitar & vocals / Vern: drums.


White Demons born out of Phoenix, Arizona. Members include Nick K. on guitar & lead vocals, Art Banko on bass & vocals, Tony Krank on guitar & vocals, Vern on drums. In a review of the very first White Demons show in 2004, a music critic, blown away by the explosive energy put out by this maximum rock and roll gang, referred to their sound as "Action Rock". While the article itself was some what unremarkable, the term stuck. It was for a good reason. Action Rock embodied the high-energy sound and style that guitarist/ lead singer Nick K. had been seeking. The power rock riffage of AC/DC filtered through the primal force and acerbic wit of '70's punk like the Dead Boys & Johnny Thunders.


One year before kick-starting that first show, all Nick had was a vision, some tunes, and a name; White Demons. It was the nickname of his beloved white Strat, which he had to pawn to secure cash for a rehearsal space. So, he broke out his Telly and wasted no time in recruiting (some would call it stealing), his three favorite players around town. These were close friends who he knew shared his vision of bringing excitement and danger back into rock. There was bass master Art Banko, whose afro alone has more attitude and swagger than some entire bands. There was amp guru, Tony Krank, who has gone on to design the popular Krank line of Amplifiers. Tony brought not only his monster sound to the arsenal, but also some vicious licks.


Finally there was Vern. Last names aren't important when you have a skull-crushing backbeat mixed with the sheer lunacy of Keith Moon.White Demons forged a strong identity by touring and playing local shows, winning over the toughest of crowds in an aloof, jaded, and splintered Phoenix rock scene. White Demons shows are events that teeter on the brink of chaos, but are held in command by a combo of raw power and dynamic musicianship. On stage, Nick K. transforms into a rock n' roll preacher, belting out songs that are soul shaking sermons, punctuated by twisted demon howls that sound like Doritos in a blender on frappé. In 2005, the band finally captured this live energy and monster sound in the studio. Lightning in a bottle of Tequila. The result is the band's debut titled "SAY GO". A ten song shot of adrenalin released by Sonic Swirl Records.


When music legend and impresario Kim Fowley heard the title track for the first time, he dashed off this quote to the band: "Their masterpiece "Say Go" indicates they can write a savagely stupid epic. If they have an album's worth of material this good, they are destined to be the first bad boy band of the 21st Century to make a difference." For those who have heard "SAY GO" and seen the White Demons live, they already have made a difference. A savagely stupid difference.
Buy It HERE!

THE VARMINTS - Spread Out


THE VARMINTS  Spread Out   mini LP  1989
Today / Forget About It / Spread Out / Little Leanne / Not Quite / Don't Seem Right.
Produced by B. Allen & The Varmints.
The Varmints: Billy Borgioli: guitar, vocals / Peter Taylor: drums / Chris Flavin: guitar, slide, backin' vocals / Steve Pagact : bass, backin' vocals.
Billy Borgioli's long and storied history as a Boston rocker began in the late-1970's with his tenure as the lead guitarist for the one of the greatest bands in Boston rock history: The Real Kids. During that time the band was a fixture at the original Boston punk club "The Rathskellar", better known as the "Rat", as well as CBGB's in New York City.
The Real Kids recorded their eponymously-titled debut which featured searing guitar interplay between Billy Borgioli and vocalist/songwriter John Felice with former New York Dolls and Ramones patron Marty Thau of Red Star Records producing.
In the 1980s, Billy B. was playing guitar with John Felice & The Lowdowns ("Nothing Pretty" lp , 1987). After stepping out the shadow of Felice, Billy formed The Primitive Souls (with ex Real Kids bassist Allen "Alpo" Paulino (R.I.P) and the Varmints. He became its frontman and chief songwriter. In 1989, the band recorded the mini lp "Spread Out"(at Synchro Sound Studios, Boston) on the excellent australian label Dog Meat records (the second Dave Laing' label, after he let Grown Up Wrong!) on which you can also find the Primitive Souls 12''.

Unrelenting in their passion for aggressive 60's inspired rock n' roll, with the new release "Boston Cream", Billy Borgioli and his Varmints continue blasting out gritty, no-nonsense rock 'n' roll.
Taken from The Varmints Reverbnation & the Real Kids Side Bands.
BUY IT HERE !

5/08/2013

THE VARMINTS - Assorted Varmints 1989/1997


THE VARMINTS   Assorted Varmints (1989/1997)  CD  2002
The hard way / Running out / Maybe / That's out / Dreamin' / In this town / Pay dirt / The madison / Ain't no good / Forget about it / Today / Black out / It comes around .
Tracks 1 to 9: produced by Ducky Darlisle & The Varmints / Tracks 10-12: live radio recordings / Track 13: produced by Glenn Foster Brown & The Varmints.
The Varmints: Billy Borgioli: guitar, lead vocals / Frank Rowe: guitar, vocals / Chris Flavin: guitar, vocals / Billy Daley: bass (1, 2,7,8,9-13) / Carl Biancucci: bass (4-6) / Pete Taylor: drums (1-9) / Matt Burns: drums (10-13).
"Assorted Varmints 1989-1997" is a collection of 13 tracks by the Boston underground "supergroup," compiled by rock critic/Endora's Box Records label owner Nancy Foster in 2002. It's an impressive set of majestic, no-nonsense rock & roll tunes by former Real Kids guitarist Billy Borgioli, who handles most of the vocal and songwriting chores. For those who felt the Real Kids missed the mark, the answers can be found here. Borgioli is not only a better rock & roll singer than John Felice; he has some crunching rhythms that could have propelled the Real Kids to true stardom had Felice let a partnership blossom rather than make himself the focal point of the Kids. Listen to the undercurrent of "Dreamin'" or the punk angst inside "Ain't No Good," the track originally released in 1997 on Boston Rock & Roll Anthology, Vol. 20. "Ain't No Good" takes on corporate shoddiness, buying a product and taking it home only to find out it "ain't no good." Nine of the 13 tracks feature Classic Ruins driving force Frank Rowe adding his precision guitar (and lead vocal on "In This Town"). Borgioli/Rowe make a formidable pair leading a two-guitar attack that the rhythm section of Death in the Shopping Malls drummer Pete Taylor and Tea in China bassist Carl Biancucci complement perfectly. Biancucci's band was one of the first Boston acts Stones producer Jimmy Miller worked with in 1983 via his Johnny Thunders associations, and similar elements can be heard in Ducky Carlisle's production on the nine titles tracked at his Room 9 From Outer Space studio. The three songs from a live radio show (no date or call letters mentioned) feature a different lineup behind Borgioli: Chris Flavin on second guitar, Billy Daly on bass, and Matt Burns on drums. It still works, making it clear this is Billy Borgioli's vehicle and that the painter/guitarist has a vision beyond what the Real Kids tracked on their self-titled debut. For those who liked the heavy guitars of 'Reggae Reggae' from that 1977 landmark outing, this music from a dozen years later expands that concept proving where the original group truly could have gone. Short guitar bursts and creative riffs à la the Kinks with solid drumming by Taylor and Burns across this disc help make Assorted Varmints shine. It is refined rock & roll by guys who do it because they have to. Allmusic
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5/01/2013

THE VICE PRINCIPALS - After School With...


THE VICE PRINCIPALS  After school with ...  CD  2000  
Jack The Ripper / When Girls Collide / Hostility / Satellite Dish / Glad All Over / Splitsville U.S.A. / Donkey Girl / Snitch / Price Of Love / Switchblade / After Detention / I Can't Wait Until Tommorrow .
Produced by the Glitterati .
The Vice Principals: Scott "Deluxe" Drake : vocals / Jeff Drake: guitar, vocals / Billy Burks: guitar, vocals / Rocko: bass / Adonis Von Streicher: drums + Greg Kuehn: piano, organ / John Wahl: saxophone.

High school may be some sort of distant bad memory for you these days, but The Vice Principals are here to show you another side of school that ain't so downright awful. Those looking for some seedy gossip about these particular schooling officials need look no further than seminal punk rock band The Humpers, as Billy Burks and Scott Drake continue in the same vein as their former band. And this time Scott invited his brother Jeff (The Joneses) to play with him !

Jeff Drake (Joneses/Amanda Jones/Vice Principals...)
The Humpers and the Joneses were known for their simple, dreadfully catchy tunes that were laced with smart-ass words of wisdom. The Vice Principals stick to dishing out round after round of this familiar-sounding formula, rocking without racing down your throat at ungodly speeds or attempting to be musically so-fis-tee-cated. It's rock, baby, and the guitars are the Head of the Student Body here. Side A starts out alright as The Vice Principals do a decent job of covering "Jack the Ripper," stalking the streets with a gutsy, raucous energy. However, the band's rendition of "Glad All Over" may cause aural distress for some of you in the listening audience, as it's lethargically played and utterly forgettable. Should the Vice Principals find another line of work?

The Vice Principals
Hold on a sec kids, you don't get off that easily. Think you can just go off slamming your locker door like some piss-poor freshman? Flip the vinyl over, because side B is like hearing a spiritually revitalized group. Squawking horns and R&B piano spike up "Donkey Girl" to give "After School With The Vice Principals" a strong injection of soul. Other promising numbers include the rousing "meet me at the flagpole after school" action of "After Detention," with its ass-kicking, bullying quality, and "Snitch", a mass of chaotic guitar notes and emphatic lyric lines that could easily have fit on a Humpers album. They may be a bit older and set in their ways, but The Vice Principals will not only have you cleaning chalkboards after school, but give you multiple musical ruler rappings that you can't help but enjoy. This could indeed be the first likeable lesson you've had in years!
I don't know much about History, but I do know that when Scott Deluxe Drake grabs the microphone in his right hand and criss-crosses the stage like a possessed Superintendent, you're going to hear an assembly speech that you won't forget any time soon !
Source: A. Magilow - Splendid E zine .
Buy It HERE!
Here's an interview of Jeff Drake talking about The Joneses, Amanda Jones, The Vice Principals and many other things on Sugarbuzz Magazine.com. Take a  look HERE!

4/24/2013

THE ZEROS - Knockin' Me Dead

THE ZEROS  Knockin' Me Dead  CD  1994
Baby's Gotta Have Her Way* / Wimp / Sometimes Good Guys Don't Wear White* / Stop-N-Think / Knockin' Me Dead* / Beat Your Heart Out**° / Lay Off, She's Mine / She's So Wild / Left To Right°° / Wanna Go / Shannon Said** / Looking For Some Fun / Roadrunner / I Don't Wanna / I Don't Know.
Produced By Bill Bartell & The Zeros.
The Zeros: Baba Chenelle: drums, harmonica, percussion / Javier Escovedo: lead guitar, lead vocals, backing vocals / Robert Lopez: rhythm guitar, lead vocals on** / Hector Peñalosa:  bass, lead vocals on°°  + Jeff & Steven McDonald: backing vocals on* / Kim Shattuck: backing vocals on°.

Often referred to as "the Mexican Ramones," the Zeros (guitarist and singer Javier Escovedo, second guitarist Robert Lopez, bassist Hector Peñalosa, and drummer Baba Chenelle) were just one of many contributors to the L.A. punk explosion in the late '70s. Although they never received the acclaim of such L.A. peers as Black Flag, the Circle Jerks, or X, the Zeros made admirers out of such renowned artists as Tom Waits, Patti Smith, and the Damned, played numerous West Coast shows with the likes of Dils, Avengers, X, Plugz, Nerves, and Wipers, and even gave the Germs their very first live gig -- opening for them in 1977. The group was first formed in 1976, and were initially known as "the Main Street Brats" -- but by the time of their first show, they had settled on the name the Zeros. Although the quartet broke up in 1981, the Zeros have re-formed sporadically for live shows (such as a 1991 benefit show for ailing punk rocker/writer Craig Lee, and a few years later, Bomp Records' 25th anniversary party), and a full album -- 1999's Right Now! In addition, several of the Zeros' compositions have been covered by other bands around the world, including Spain's La Secta ("Wild Weekend"), Australia's Hoodoo Gurus, Sweden's the Nomads ("Wimp"), and Hollywood's the Muffs ("Beat Your Heart Out").


The Zeros, aka "the Mexican Ramones," formed in Chula Vista in 1976, debuting at a dance in Rosarito, Mexico. Their first major gig was the following year in Los Angeles at the Orpheum Theater. That show was opened by the Germs, and the Weirdos headlined. The Zeros' first record was a vinyl single, "Wimp," b/w "Don't Push Me Around," released by Bomp Records in 1977. They would go on to play at such renowned venues as The Masque, Whisky Au Go-Go, and the Starwood in L.A.; San Francisco's Mabuhay Gardens, Deaf Club, and Temple Beautiful; and CBGB and Max's Kansas City in New York.
They broke up in late 1980. Lopez had already quit to join the band Catholic Discipline, and the rest of the band's move to San Francisco failed to reignite the group. Various partial reunions took place, including 1992 recording sessions. The Zeros' guitarist/singer Robert Lopez would later gain fame as "El Vez, the Mexican Elvis." Many El Vez bios, as well as several online articles and bios about the Zeros, claim he and the band are from L.A.


Lopez added to the confusion with his "East L.A. is my hometown" stage banter that sets up "En El Barrio," a Chicano-ized rewrite of Presley's "In the Ghetto." One doctored song where Lopez as El Vez gets autobiographically real, however, was highlighted throughout his "Merry Mex-Mas" national tour that concluded at the Casbah in late 2006: "I'm dreaming of a Brown Christmas / Just like my ones in San Diego / Where cousins and familia are tight / And thank God our Christmases ain't white...."
In 2007, Squiddo frontwoman Maren Parusel formed an all-girl Zeros tribute band, Wild Weekend, with singer Kelly Alvarez, Melissa (drums) and Kaitlin (bassist for the Atoms). The band was later male-infiltrated, and then they split as Parusel launched a solo career.
The Zeros' songs have also been covered by Los Angeles bands Wednesday Week ("They Say That Everything's Alright"), the Muffs ("Beat Your Heart Out"), Hoodoo Gurus, Mudhoney, and Sator, whose cover of "Black and White" went to number two on the Swedish charts.
The Zeros themselves were known for offbeat covers, including a B-side featuring the Righteous Brothers tune "Little Latin Lupe Lu" (best known as a Mitch Ryder track).


Post-Zeros, Javier Escovedo and his brother Alejandro co-fronted the Texas-based ’80s band he True Believers, whose eponymous debut album was produced by legendary Memphis session player and producer Jim Dickinson, who passed away in August 2009. “He just had a good warm vibe about him but also a tough, seen-it-all vibe, too,” recalls Javier Escovedo.
“He played piano on a few songs, [but] we were known as this big three-guitar army…so he didn’t want to mess with that too much.… I dug him.… I had always hoped we could work together again. [And] he got one of our songs onto the Blue City movie soundtrack. It’s mainly…Ry Cooder songs except for a Johnny Cash song and a Javier Escovedo song [True Believers’ “Marianne”]. Very cool. And he made it happen.”
Until 2009, Zeros bassist/singer Hector Penalosa (Squiddo) declined to take part in most Zeros' reunions. In a Reader interview, he accused guitarist Javier Escovedo of "stepping over people...just because he can get money out of it, because some people will pay good money for the Zeros."


Penalosa said he took part in some 1999 Zeros' recordings, but that only Javier Escovedo got paid. "[Other band members] didn't get diddly-squat," according to Penalosa.
In response to Penalosa's accusation, Escovedo said at the time "It's a set of circumstances that I can't talk about.... A certain amount of money that was expected was not earned, didn't come into the band."
As of 2009, Hector Penalosa plays with Squiddo, while Robert Lopez performs still as "El Vez, the Mexican Elvis." One-time Zeros bassist Guy Lopez died October 2, 2007, at the age of 42 - he'd also played with the Upbeats.
In Summer 2009, four former Zeros reunited for several west coast concerts; Hector Penalosa, Baba Chenelle, Javier Escovedo, and Robert "El Vez" Lopez. European dates were subsequently booked.
In September 2009, the band picked up a Lifetime Achievement nod at the San Diego Music Awards. For the ceremony, they were joined onstage by Wayne Kramer of MC5 for a rendition of "Ramblin' Rose," and video testimonials to them included good words from Joan Jett and John Doe of X.


The UK's Domino Records included two songs by The Zeros on a Jon Savage Compilation of the Best of American Punk Rock, and Brooklyn based Last Laugh Records released two singles by the Zeros in 2012.
As of 2012, the band is signed to Panache Booking. That summer, armed with an arsenal of covers and a few dozen classics, the Zeros embarked on a series of dates with frontman Javier Escovedo’s younger brother Mario (the Dragons) on second guitar (replacing original guitarist Robert Lopez, who performs an ongoing theater gig in Seattle as El Vez, the Mexican Elvis).


On their return to San Diego, they announced that they’re recording a new full-length of covers, including cuts from the Velvet Underground, Bo Diddley, and the Standells, along with some new and old originals.
Source
BUY IT HERE!

4/20/2013

THE CASANOVAS - The Casanovas

THE CASANOVAS - The Casanovas  CD  2004
Livin' In The City / Break Your Heart / Heartbeat / Here's To It / No Time For Love / Shake It / Runnin' So Late / Strange Dreams / One More Time / 10 Outta 10 / The Most Hated Man In Melbourne* / The Lady Downstairs* (*bonus tracks)
The Casanovas: Damo Campbell: vocals, bass / Tommy Boyce: vocals, guitars, percussion / Jaws: drums.
Its not rock. Its not even Rock. Its ROCK. Melbourne trio The Casanovas are pure, unadulterated guitar adrenalin wrapped in a tight t-shirt and faded jeans. They're a mighty remix of everything good about your favourite band, but with the ability to make it distinctly their own sound. You cant throw your arms around a memory, but The Casanovas are all too real. The Casanovas were originally formed in 1999 with all three original members hailing from Melbourne, Australia. The Casanovas was the brainchild of brothers, Tommy and Patrick Boyce and original bassist, Jimmy Lewis. The Boyce brothers met Jim while working together scrubbing pots & pans in the back kitchen of Pattersons cake shop in Windsor, Melbourne.


The idea of the name The Casanovas was partly inspired by the look of the Casablanca records logo that featured on early Kiss vinyls that they all grew up listening to, as well as a healthy dose of irony, (none of them were getting laid!). Early on, their sound was described as AC/DC meets KISS with leanings to the 70s New York punk sounds of such names as The Dictators and The Ramones. Although individually, they had many other influences that helped mould their sound. The Stooges, MC5, The Rolling Stones, The Saints, Dead Boys & Turbonegro just to name a few. Armed with only a handful of songs after five rehearsals, The Casanovas were quick to start gigging around the venues of suburban Melbourne. Supporting seminal local rock acts such as The Powdermonkeys, The Monarchs and Tim Rogers as well as the now massive White Stripes on their first tour of Australia. In mid 2000, The Casanovas cut their debut single, 10 Outta 10. An anthemic, fist pumper that was released on 7" vinyl through local Melbourne punk label Full Toss Records.


This release established them on local community radio stations such as PBS and RRR as well as national radio on JJJ. The Casanovas were quick to gain their own local following and started grabbing peoples' attention with their balls to the wall rock n roll sound, along with an entertaining live show with their sometimes tongue in cheek style histrionics A short time later in 2001, the band expanded their line up and were joined by second guitarist, James Saunders. During this time the band played a JJJ live-at-the-wireless gig and scored a slot on the legendary Big Day Out festival in Melbourne This line-up lasted for about a year until James decided to leave due to work commitments. Mid 2002 saw the band team up with legendary Aussie producer/guitarist, Shane O'Mara to record their debut Ep, '..Keep It Hot'.


In Late 2002, The Casanovas secured a support slot on The Dictators national tour of Australia This was a very exciting prospect for the band at the time because not only was this an opportunity to play with one of the band's biggest heroes, but it would be the very first time for The Casanovas to spread their wings and tour outside of Melbourne. Unfortunately, bassist Jimmy Lewis was unable to leave Melbourne for any extended period of time because of his full time work commitments which ultimately led to his decision to leave the band. Tommy and brother Pat recruited ex Mustang bassist Damo Campbell as replacement and the tour went on as planned. Not long after this, the band signed to local indie label Rubber Records.


 A diet of constant gigging built strong rock muscles as the bands profile began to build with a growing reputation as a bona fide live rock band. In 2003, The Casanovas were invited by New Zealand's The Datsuns to join them on a nine week tour of Europe and America. After a run of around 40 shows around the world and a coveted slot on the SXSW festival in Texas, the band returned to more and more touring back in Australia and a reputation as one of the most hard working and exciting live rock acts in the country.The recording of their first album took place after and during heavy touring schedules, the pressure of which sadly, eventually lead to Patrick quitting the band to pursue a more sane lifestyle.


With the album half finished, Damo and Tommy recruited legendary 'Onyas' drummer, Jaws Stanley. After a mere 4 days of rehearsing the songs, Jaws went on to finish the drum tracks, allowing the album to be completed.With their new line-up and debut album finally released, The Casanovas hit the road again. Tours of the UK, Japan, USA, Indonesia, New Zealand and Australia saw the band's chemistry and live prowess continue to grow stronger. July 2005 saw the band complete their most recent tour of the UK and Spain and then on to California to sign a US deal with indie label, IROCK, (through which their debut album has been recently released through the US) and, to record their incredible sophomore album with legendary producer Sylvia Massy Shivy at Radiostar Studios you'll have to wait for July 2006 to hear it though!

Combining the best elements of classic AC/DC, the Ramones and every other sleaze ball rocker to have crawled outta the gutter in the last 30 years, The CASANOVAS are the best damn rawknroll outfit this country has spewed forth in eons. BEAT, Melbourne 
BUY IT HERE !