SINGLES THEE STASH Should I Suck Or Should I Blow ?/ We're Selling Jeans For The USA sp 1991 Get Hip wav
SINGLES THE VACANT LOT Almost summer/Cyclone sp 199 Chaos Rrds wav
Thanks to Fabien for music & scans !
SINGLES THE VACANT LOT She gotta leave/All kinds of girls sp 1991 Baylor Rds wav
Thanks to Fabien for music & scans !
WILLY DEVILLE Love & emotion (The Atlantic years) cd 1996 320 kbps
LORDS OF THE NEW CHURCH Is nothing sacred ? cd 1983 320 kbps
Dance with me / Bad timing /Johnny too bad /Don't worry children /Night is calling /Black girl, white Girl /Goin' downtown /Tale of two cities / World without end /Partners in crime /Live for today* / Opening nightmares° /Sorry for the man° /Lord's prayer° /Real bad time° /Things go bump°/ Bang bang baby maybe° /Follow°.
(°bonus tracks)
Produced by The Lords except* by Todd Rundgren.
The Lords Of The New Church : Backing Vocals, Guitar : Brian James / Bass Guitar, Backing Vocals : Dave Tregunna /Drums, Backing Vocals : Nicky Turner / Lead Vocals - Stiv Bators.
The shadow of the Rolling Stones, the classic role model for bands who embrace rock's scuzzy, dangerous, vaguely satanic side, looms large over Lords of the New Church's second album. The influence of Mick Jagger on Stiv Bators' lippy, sneering delivery has never been more apparent. Brian James emulates Keith Richards' rhythm-oriented guitar parts, leaving Dave Tregunna's bass as the lead instrument. Nicky Turner may not be Charlie Watts (who is?), but he provides a dependable backbeat. "Is Nothing Sacred?" even offers such Stones-y song titles as "Black Girl/White Girl," "Goin' Downtown," and "Partners in Crime". You'd hope this was a conscious homage, but it sounds more like the Lords were having trouble deciding on a direction and fell back on old habits. Still, if "Is Nothing Sacred?" were a Stones album, it'd be a pretty good one, well played and entertaining throughout. "Dance with Me" -- funky, slinky, and goth-tinged with lyrics that invoke voodoo and bondage -- is one of the Lords' best songs and, coincidentally, one of their biggest hits. "Live for Today," a surprisingly straight cover of the Grass Roots classic with slick production and keyboards by Todd Rundgren, closes the album on an uplifting though incongruous note. As a follow-up to the Lords' promising debut, "Is Nothing Sacred?" isn't a disaster, but it is a small step backward, rather than forward.
V/A The Beserkley story cd 2004 320 kbps 
16 FOREVER Too much too late cd 1995 1+2 Records 320 kbps
LOS HORRENDOS Los pros & los contras de ser horrendo cd 2008 Lado b Records 320 kbps
LORDS OF THE NEW CHURCH Lords Of The New Church lp 1981 I.R.S 320 kbps
New church /Russian roulette / Question of temperature / Eat your heart out / Portobello / Open your eyes / Livin' on livin' / Li'l boys play with Dolls / Apocalypso / Holy war / Young don't cry* / Girls girls girls* / I'm not running hard enough* / Hey tonight* / Substitute*(*bonus tracks).
Produced by the Lords.
Lords Of The New Church : Steve Bators : lead vocals / Brian James : guitar / Dave Tregunna : bass / Nick Turner : drums.
Formed in 1981, the Lords of the New Church had a formidable intercontinental punk rock pedigree. Singe Steve Bators and guitarist Brian James were founding members of Cleveland's Dead Boys and London's the Damned, respectively, both successful and influential punk pioneers. (Note: Much like Keith Richard(s), Stiv spelled his surname both with and without a terminal "s" at various points in his career. Throughout his time with the Lords, however, he was billed as Bators.) Bassist Dave Tregunna and drummer Nick Turner were veterans of Sham 69 and the Barracudas, which were less seminal but still well-known. But while the Lords' music had elements of punk, it was more melodic, better-produced, and played with a higher degree of professionalism. This alienated some of the hardcore punk audience, but brought the Lords a much wider and more diverse fan base.
The genesis of the Lords was in 1980 when Bators and James, having split from their previous bands, renewed an aqcuaintance that began when the Dead Boys opened for the Damned on CBGB dates and an English tour. The two experimented for a time with different rhythm sections, rehearsing briefly with ex-Generation X bassist Tony James and ex-Clash drummer Terry Chimes (how's that for a punk rock supergroup?). A lineup of Bators, James, Tregunna, and Damned drummer Rat Scabies played a single 1980 gig as the "Dead Damned Sham Band." But by the time the Lords' self-titled debut album appeared in 1982, Turner had replaced Scabies to form the lineup that would remain fixed throughout the band's most productive years.
Though the album was well-received, the Lords became more notorious for their live shows, or more specifically for Bators's crazed abandon as a performer. A devotee of Iggy, Bators had in his Dead Boys days developed a reputation for being unafraid to risk his life in pursuit of rock & roll glory. He suffered innumerable on-stage injuries during his career, the most famous being the time he reportedly nearly hung himself during a Lords show. As the story goes, a favorite stunt of Bators' where he looped the mic cord around his neck went awry, resulting in his being clinically dead for several minutes.
Although their roots were in punk rock, their debut album announced to the world that the Lords of the New Church were not your average punk band. They had ambitions: they would be the last beacon of truth in a world nearing its end. And while you can't call The Lords of the New Church entirely successful -- for every high point like "Open Your Eyes" or "Russian Roulette" there's a clunker like "Portobello" or "Eat Your Heart Out" -- you can't fault their effort. Guitarist Brian James and the rhythm section provide a wide-screen setting, with guest musicians adding synths and horns to the guitar bass, and drums foundation. But the face, mouth, and heart of the Lords was Sitv Bators, who casts himself here in the role of rock & roll poet/preacher/prophet. He was no Bob Dylan, to be sure, but on "The Lords of the New Church" he demonstrates lyrical maturity surprising to anyone who ever heard Dead Boys songs like "I Need Lunch." Consider these few lines from "New Church," which may not be high art, but make their point and also serve as a neat summary of the Lords ethos: "Truth can't be found on the television/Throw away youth ya gotta take a stand/Music is your only weapon/Spanners in the works go start your gang..."Lords of the New Church" is very much an artifact of the Reagan era and somewhat dated in its approach, but Bators' core message of personal freedom, and the fervor and sincerity with which he delivered it, have retained their resonance across the years. B. Cassel - Allmusic
