There She Goes Again / Why Don't You Smile Now / Lolette / Pretty Face / I Can Never Tell / I'm Gonna Leave You / I'm Dissatisfied.
Produced by Randy S. Fuelle.
The Crawdaddys: S. Potterf: guitar, vocals & harp / R. Silva: guitar, vocals, percussion / M. Zadarnowski: bass / Don McLain (alias Country Dick Montana): drums.
The original Crawdaddys lineup formed in 1978, inspired by British rhythm-and-blues groups of the early 1960s, such as the Pretty Things and Rolling Stones. The original lineup included singer Ron Silva, bassist Mark Zadarnowski, guitarist Steve Potterf, and drummer Dan McLain. Potterf and Silva were both in the similar garage band the Hitmakers. The quartet signed to Voxx records in 1979, releasing an album the following year and a 45 and EP in 1980. They soon fractured with various Silva-fronted lineups taking the band through 1984.
Potterf left the group after recording the first Crawdaddys LP, leaving Silva as head Crawdad. Unfortunately, the group's sound took a slight dive in aggression level as a result.
Later lineups included guitarist Peter Miesner, keyboard player Keith Fisher, and drummer Gordon Moss.
McLain, later known as Country “Dick” Montana, passed away in 1995 while on tour with the Beat Farmers. Potterf apparently stopped making music.
Many early Crawdaddys recordings were mastered by Stan Ross, who mastered "In-A-Gadda-Da-Vida" for Iron Butterfly and worked with Phil Spector. The band reunited in 2011 for a pair of shows: June 10, headlining the sixth annual “Go Sinner Go” festival in Spain, and again on September 2 at the Casbah. Memorial Day weekend was spent shooting at the Rhino Pop Up Store with filmmaker Eric Rife, in preparation for their September reunion show.
The 2011 Crawdaddys feature Silva and Zadarnowski alongside members from slightly later lineups — guitarist Peter Miesner, keyboard player Keith Fisher and drummer Gordon Moss. The last time Zadarnowski, a South Park resident, and Silva, who currently resides in Los Angeles, performed together was in 1993 at the now-defunct venue Bodie’s downtown.
Silva says the reunion is due to the tenacity of Spanish promoter Edu Sinner. “The guy has been emailing me for a couple of years now, trying to get the band for his festival. I recently moved back to Southern California, [so] it makes more sense,” he said. “I just thought now’s as good a time as any.”
Though Sinner has brought numerous American bands to Spain for his events, he’s particularly excited to score the Crawdaddys. “They’re one of my favorite bands. I’ve always wanted to bring them here. After three years of talking, we got it,” he says, and explains Spain’s continued fascination with San Diego’s ’60s-influenced bands:
Though Sinner has brought numerous American bands to Spain for his events, he’s particularly excited to score the Crawdaddys. “They’re one of my favorite bands. I’ve always wanted to bring them here. After three years of talking, we got it,” he says, and explains Spain’s continued fascination with San Diego’s ’60s-influenced bands:
“This is real music, from the gut.... I’m sure that even after another 50 years, Crawdaddy Express will still be considered a fantastic record by young R&B fans.”
Zadarnowski doesn’t find it unusual that his band’s reunion has been set in motion by music fans in Spain. “The Spaniards are certainly receptive to all the old San Diego stuff. Probably even more so than San Diego,” he joked. While Silva wouldn’t mind seeing the Crawdaddys perform beyond these two shows, he says, “I want to see how these two shows go. We’ve rehearsed a handful of times.
It’s just like the old days, except we’re all a little bit fatter.”
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4 commentaires:
The Crawdaddys: "Still Steamin..."lp 1980
"In a time of trendy discotheques, bombastic arena rock, and sonic punk barbarisms, the Crawdaddys were truly a peculiarity of the late '70s. The Southern California four-piece rhythm & blues combo, led by two gifted songwriter guitarists, Steve Potterf and Ron Silva, who began in the similar garage band the Hitmakers, shrugged off all present scenes and regressed to the past,to a Mersey-era Beatles style. Influenced by '50s R&B masters like Chuck Berry and Little Richard, the Crawdaddys jump-started their own California garage rock scene, which spread widely in the early '80s as more illustrious groups like New York's Chesterfield Kings and London's Barracudas also hiked their guitars up to chest level. Other influences, like the Yardbirds and the Velvet Underground, can be heard in the Crawdaddys' surprising yet sincere sound. Potterf left the group after recording the first Crawdaddys' first LP, leaving Silva as head Crawdad. Unfortunately, the group's sound took a slight dive in aggression level as a result." Allmusic.com
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A little garage revival masterpiece, but the front cover are horrible!!!!
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